“Even if we had no picture, we were completely able, even five, or 10, or more years ago, to calculate what a black hole should look like,” he says. On his blog, he explains that this is a real effect of general relativity, because space is curved by the presence of the black hole, and as the ship moves around it, the images of the celestial bodies begin to scroll. The first black hole is small and black, bending the glow of the celestial bodies that surround it into a rapidly spinning string, like the lights of an out-of-control Ferris wheel. “We tried to have rules - not to do something completely crazy,” he says. But a good deal of astrophysics knowledge went into making them look right. As such, he doesn’t pretend that the two black holes featured in the movie don’t benefit from some artistic license. ![]() The film additionally reveals how the Laboratory of Subatomic Physics and Cosmology professor anticipates how we might collect energy from black holes, how their sheer gravitational force may brutally obliterate us, and how long we may survive in their mouths should we be so unlucky to get swallowed up.īarrau makes one thing clear: The film is not so much about black holes as it is about what black holes represent, an end point on a journey from which there is no return. ![]() “But we have to be honest, from a scientific viewpoint, this is probably not a revolution because it basically looks like what was expected.”īarrau, like the rest of the world, had never seen a photo of a black hole before the release of the historic M87 photograph, but he’d seen them many times before in the equations and theories that preceded it. “Well, of course that was very interesting, very fascinating, and to some extent very moving,” he tells Inverse regarding the new photo. ![]() Though fans of the film also noticed the similarity, Aurélien Barrau, Ph.D., the astrophysicist who consulted with Denis on the film to get the black holes right, would hardly call it surprising. “The black hole, it looks like ours,” said Denis of the photo in an interview with Hyperallergic.
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